Tommy Tucker

by Bill DahlWhen Tommy Tucker ordered his lady to "put on her hi-heel sneakers" in 1964, the whole world was listening, judging from the myriad of covers and sequels that followed in its wake.
Robert Higginbotham (Tucker's legal handle) grew up in Springfield, getting his little fingers accustomed to the ivories by age seven. Tucker joined saxist Bobby Wood's band in the late '40s as its piano player. When vocal groups became the rage, the band switched gears and became the Cavaliers, a doo wop outfit that remained intact into the late '50s. Tucker put together his own combo after that to play bars in Dayton, his personnel including guitarist Weldon Young and bassist Brenda Jones.
The trio eventually relocated to Newark, NJ, setting Tucker up for his debut solo session in 1961 for Atco. "Rock and Roll Machine" was issued as by Tee Tucker and already exhibited the gritty, Ray Charles-inflected vocal delivery that Tucker later used to great advantage. His traveling companions did pretty well for themselves, too: renamed Dean & Jean, they hit big in 1963-1964 with the lighthearted duets "Tra La La La Suzy" and "Hey Jean, Hey Dean" for Rust Records.
Tucker fortuitously hooked up with Atlantic Records co-founder Herb Abramson, who was working as an independent R&B producer during the early '60s. Among their early collaborations was the lowdown Jimmy Reed-style shuffle "Hi-Heel Sneakers" (Dean Young was the nasty lead guitarist). Abramson leased it to Checker Records and watched it sail to the upper reaches of the pop charts in early 1964. A terrific Checker LP and a trip to Great Britain were among the immediate upshot for the organist.
R&B star Don Covay co-wrote Tucker's follow-up, "Long Tall Shorty," an amusing tune in a similar groove. It barely scraped the lower end of the charts, and Tucker never scored another hit. That didn't stop Abramson from trying, though -- he produced Tucker singing a soulful "That's Life" in 1966 for his own Festival label, while "Alimony," another standout Checker 45, certainly deserved a better reception than it got in 1965.
Although the majority of his waxings were under Abramson's supervision, Tucker did travel to Chicago in 1966 to record with producer Willie Dixon in an effort to jump-start his fading career. "I'm Shorty" had Dixon contributing harmony vocals and Big Walter Horton on harp, but it didn't do the trick.
Abramson admirably stuck by his protégé, recording him anew for at least another decade, but most of the mixed results just gathered dust in his vaults. Tucker was still musically active when he died, a relatively young man, in 1982.