《疲憊如時(shí)間》的五首歌曲創(chuàng)作于 2010 年至 2013 年,五首歌曲如五條枝葉,各自探究亙古時(shí)間的不同節(jié)點(diǎn)。

《銀古先生》是潤(rùn)下,是一個(gè)獻(xiàn)給天地蒼黃的厚重秘密。生命的微塵與悠遠(yuǎn)的時(shí)間空間凝視于一場(chǎng)巨大的合謀?!堆蛉獯肥茄咨?,是一次理直氣壯的流浪。年輕與愛情被肆無忌憚的釋放在新疆的日光之下,帶著羊肉串熱情的味道?!肚鼗逝_(tái)》是收斂,是一首器樂曲。它觸手可及,用我們的琴,我們的手指,我們的耳朵和我們的心?!兑凰查g》是中和,是一個(gè)歷史要告訴我們的答案。松老云閑,花月清風(fēng)。渾諢世事里不可見則可自澄清明?!秈nn 909》是伸展,是一次鮮活的經(jīng)歷。在青春尚未散場(chǎng)之時(shí),慶幸有那個(gè)有趣的下午。

寧?kù)o寡欲從來不是一種天生自然的心境,它其實(shí)是一種膠著的狀態(tài)。時(shí)間把韌度不斷增強(qiáng),讓記憶的緞標(biāo)維持一種美妙的平衡?!镀v如時(shí)間》的五首歌曲就是這樣一種和諧平衡的存在。就像封面一樣——水墨之雨里的龍犬,比肩而立。希望你們喜歡它的倔強(qiáng)自持又安然自得,也能和我們一樣留有一個(gè)瞬間,回頭再看一看它。

人聲:武墨涵、韓宜延

吉他/合成器/和聲:楊哲倫

吉他/口琴:孟衍

吉他/和聲:?jiǎn)⒊?/p>

邦戈鼓:姚的盧、趙宗陽(yáng)

作曲:楊哲倫、武墨涵

作詞:武墨涵、李貞

編曲:楊哲倫

錄音:楊哲倫、啟超

制作/混音:楊哲倫

母帶:馬群

封面設(shè)計(jì):羅旋

美術(shù):赤顏犬和乖蜂

經(jīng)紀(jì)人:寒江

特別感謝 :那雪瑩

吳蘇

王俊

張劉柳

李昰

聶景軒

buddy 工作室 & NTMY 品牌

The 5 songs in the album Tired as Time, written between 2010 and 2013, resembles 5 branches of a tree, stretching toward distinctive points in the eternal time.?

Ginko, the Mushi Master, is "being nourished and flourish",a state secret dedicated to the universe, an enormous conspiracy of the paltriness in life and the persistence of time and space.?

Sinkiang Kebab is "vigorous and upward", a proud and righteous vagrancy. Youth and love are released in total freedom under the blazing sun of Sinkiang with passionate taste of kabab.?

Emperor Qin's Platform is "the restraint of the mind and body". It is instrumental music, closely connected to our guitars, our fingers, our ears and our hearts.

Kasha is "equilibrium and the mean", a way to moderation, an answer that history wants to give us. As pines age and air idle, as flowers and moon swaying in the wind, the seemingly turbid world will eventually become clear to you.?

Inn 909 is "extension and growth", a vivid experience, an interesting afternoon we are fortunate enough to have before we bid farewell to our youth.?

Tranquility and unambitiousness is never a natural"/>

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疲憊如時(shí)間

歌手:布皮樹歌曲

發(fā)行公司:StreetVoice

歌曲數(shù)量:2

發(fā)行時(shí)間:2013-05-09 00:00:00

疲憊如時(shí)間

專輯簡(jiǎn)介:

《疲憊如時(shí)間》的五首歌曲創(chuàng)作于 2010 年至 2013 年,五首歌曲如五條枝葉,各自探究亙古時(shí)間的不同節(jié)點(diǎn)。

《銀古先生》是潤(rùn)下,是一個(gè)獻(xiàn)給天地蒼黃的厚重秘密。生命的微塵與悠更多>

《疲憊如時(shí)間》的五首歌曲創(chuàng)作于 2010 年至 2013 年,五首歌曲如五條枝葉,各自探究亙古時(shí)間的不同節(jié)點(diǎn)。

《銀古先生》是潤(rùn)下,是一個(gè)獻(xiàn)給天地蒼黃的厚重秘密。生命的微塵與悠遠(yuǎn)的時(shí)間空間凝視于一場(chǎng)巨大的合謀?!堆蛉獯肥茄咨希且淮卫碇睔鈮训牧骼?。年輕與愛情被肆無忌憚的釋放在新疆的日光之下,帶著羊肉串熱情的味道?!肚鼗逝_(tái)》是收斂,是一首器樂曲。它觸手可及,用我們的琴,我們的手指,我們的耳朵和我們的心?!兑凰查g》是中和,是一個(gè)歷史要告訴我們的答案。松老云閑,花月清風(fēng)。渾諢世事里不可見則可自澄清明?!秈nn 909》是伸展,是一次鮮活的經(jīng)歷。在青春尚未散場(chǎng)之時(shí),慶幸有那個(gè)有趣的下午。

寧?kù)o寡欲從來不是一種天生自然的心境,它其實(shí)是一種膠著的狀態(tài)。時(shí)間把韌度不斷增強(qiáng),讓記憶的緞標(biāo)維持一種美妙的平衡?!镀v如時(shí)間》的五首歌曲就是這樣一種和諧平衡的存在。就像封面一樣——水墨之雨里的龍犬,比肩而立。希望你們喜歡它的倔強(qiáng)自持又安然自得,也能和我們一樣留有一個(gè)瞬間,回頭再看一看它。

人聲:武墨涵、韓宜延

吉他/合成器/和聲:楊哲倫

吉他/口琴:孟衍

吉他/和聲:?jiǎn)⒊?

邦戈鼓:姚的盧、趙宗陽(yáng)

作曲:楊哲倫、武墨涵

作詞:武墨涵、李貞

編曲:楊哲倫

錄音:楊哲倫、啟超

制作/混音:楊哲倫

母帶:馬群

封面設(shè)計(jì):羅旋

美術(shù):赤顏犬和乖蜂

經(jīng)紀(jì)人:寒江

特別感謝 :那雪瑩

吳蘇

王俊

張劉柳

李昰

聶景軒

buddy 工作室 & NTMY 品牌

The 5 songs in the album Tired as Time, written between 2010 and 2013, resembles 5 branches of a tree, stretching toward distinctive points in the eternal time.?

Ginko, the Mushi Master, is "being nourished and flourish",a state secret dedicated to the universe, an enormous conspiracy of the paltriness in life and the persistence of time and space.?

Sinkiang Kebab is "vigorous and upward", a proud and righteous vagrancy. Youth and love are released in total freedom under the blazing sun of Sinkiang with passionate taste of kabab.?

Emperor Qin's Platform is "the restraint of the mind and body". It is instrumental music, closely connected to our guitars, our fingers, our ears and our hearts.

Kasha is "equilibrium and the mean", a way to moderation, an answer that history wants to give us. As pines age and air idle, as flowers and moon swaying in the wind, the seemingly turbid world will eventually become clear to you.?

Inn 909 is "extension and growth", a vivid experience, an interesting afternoon we are fortunate enough to have before we bid farewell to our youth.?

Tranquility and unambitiousness is never a natural