Mich Gerber's music is contemperary sounds played with the double bass — music with no boundaries, music that is hard to file in record stores!
Mich Gerber uses a specific sampling technique on stage: fragments of sounds are being registered, replayed, added, modified, woven into a sound pattern that carries away... Its hard to write about it, much easier to play. So don't try to imagine — you better enjoy!
"/>專(zhuān)輯簡(jiǎn)介：
Mich Gerber 邁克爾格伯 著名的中東音樂(lè)藝術(shù)家， 一個(gè)讓人一耳便銘記，一眼便難忘的捷克貝司演奏家和作曲家，居住在瑞士伯爾尼。他的雙低音他利用現(xiàn)場(chǎng)取樣技術(shù)，創(chuàng)造層次的音樂(lè)，整個(gè)編織成一更多>
Mich Gerber 邁克爾格伯 著名的中東音樂(lè)藝術(shù)家， 一個(gè)讓人一耳便銘記，一眼便難忘的捷克貝司演奏家和作曲家，居住在瑞士伯爾尼。他的雙低音他利用現(xiàn)場(chǎng)取樣技術(shù)，創(chuàng)造層次的音樂(lè)，整個(gè)編織成一個(gè)豐富的節(jié)奏和旋律的音樂(lè)。他的 BASS 出神入化，大提琴?zèng)]人玩得比他 high 了，中規(guī)中矩的 YO YO MA 簡(jiǎn)直不能跟他相提并論。大提琴在 Mich Gerber 的手下，迸發(fā)出完全不同的音調(diào)，從來(lái)的憂郁、低沉的 cello，也可以有那樣的激情和力量！真是無(wú)法抗拒它的魅力了，憂傷、寬容，如流淌著的記憶之河。。。
Mich Gerber's music is contemperary sounds played with the double bass — music with no boundaries, music that is hard to file in record stores!
Mich Gerber uses a specific sampling technique on stage: fragments of sounds are being registered, replayed, added, modified, woven into a sound pattern that carries away... Its hard to write about it, much easier to play. So don't try to imagine — you better enjoy!
