In 2005, the album Wave Digger paves the way for two years of tour in France and worldwide, multiplying encounters and collaborations (Wangtone with Wang Lei, Zentone with Zenzile, Re-Processed remixed by their mates) and diffusing their tribal electro-dub, blending heavy breaked bassline and nervous scratches. They come back in 2007 with "Underground Wobbles" : their fourth opus seems more calm, far from Jungle, Hip Hop, Electronica or Dub experimentations, typical of Wave Digger.
Entering more downtempos spheres, machines and programmation left space for instruments. Narrative and often complex compositions absorb the listener in a psychedelic and misty trip (Understellar, Round Trip...), highly-seasoned here and there by nervous and fickle tracks (Freakency, Ask The Dust, Speed 110).
As far as harmonies and melodies are concerned, they evolved too, taking High Tone to a sound more accomplished than ever, recognizable anywhere, possessed by teeming influences... To cut a long story short, with his so personnal style, High Tone mixes with a disconcerting talent electronic musics, ethnic samples and surgical scratches.
Underground Wobbles assert itself as the cornerstone of the works, in constant evolution, of a group tirelessly guided by clearing up new horizons, by the opening of new ways, with as line of sight the willing to never paraphrase oneself. That state of mind is the privilege of the great and the good.
"/>專輯簡介:
In 2005, the album Wave Digger paves the way for two years of tour in France and worldwide, mult更多>
In 2005, the album Wave Digger paves the way for two years of tour in France and worldwide, multiplying encounters and collaborations (Wangtone with Wang Lei, Zentone with Zenzile, Re-Processed remixed by their mates) and diffusing their tribal electro-dub, blending heavy breaked bassline and nervous scratches. They come back in 2007 with "Underground Wobbles" : their fourth opus seems more calm, far from Jungle, Hip Hop, Electronica or Dub experimentations, typical of Wave Digger.
Entering more downtempos spheres, machines and programmation left space for instruments. Narrative and often complex compositions absorb the listener in a psychedelic and misty trip (Understellar, Round Trip...), highly-seasoned here and there by nervous and fickle tracks (Freakency, Ask The Dust, Speed 110).
As far as harmonies and melodies are concerned, they evolved too, taking High Tone to a sound more accomplished than ever, recognizable anywhere, possessed by teeming influences... To cut a long story short, with his so personnal style, High Tone mixes with a disconcerting talent electronic musics, ethnic samples and surgical scratches.
Underground Wobbles assert itself as the cornerstone of the works, in constant evolution, of a group tirelessly guided by clearing up new horizons, by the opening of new ways, with as line of sight the willing to never paraphrase oneself. That state of mind is the privilege of the great and the good.