Shakira may have been the first Latina to don the contemporary crossover crown, but Mexican golden girl Paulina Rubio's first English-language effort outshines the pop competition in any language. Border Girl follows Rubio's spectacularly successful Paulina, the No. 1 Latin album of 2001. Like that collection, Border Girl blends terrific hooks, sing-along choruses, seductive rhythms, and lots of energy--essential elements for any great pop album. "Don't Say Goodbye," the hypnotic first single, is a good introduction for American audiences, and Rubio even pulls off a sly cover of the Kiss hit "I Was Made for Lovin' You." Even better are the glittering girl-power anthems translated from Spanish to English, including "Not That Kind of Girl," the pulsing club gem "Sexual Lover," and "The Last Goodbye," an innovative, I-will-survive testimonial that blends ranchera and hip-hop instrumentation. Border music has never sounded so savvy--or sensational.
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Shakira may have been the first Latina to don the contemporary crossover crown, but Mexican gold更多>
Shakira may have been the first Latina to don the contemporary crossover crown, but Mexican golden girl Paulina Rubio's first English-language effort outshines the pop competition in any language. Border Girl follows Rubio's spectacularly successful Paulina, the No. 1 Latin album of 2001. Like that collection, Border Girl blends terrific hooks, sing-along choruses, seductive rhythms, and lots of energy--essential elements for any great pop album. "Don't Say Goodbye," the hypnotic first single, is a good introduction for American audiences, and Rubio even pulls off a sly cover of the Kiss hit "I Was Made for Lovin' You." Even better are the glittering girl-power anthems translated from Spanish to English, including "Not That Kind of Girl," the pulsing club gem "Sexual Lover," and "The Last Goodbye," an innovative, I-will-survive testimonial that blends ranchera and hip-hop instrumentation. Border music has never sounded so savvy--or sensational.