Doctor Ross

by Barry Lee Pearson
A triple-threat guitarist, harp blower, and vocalist, Dr. Ross decided to fire his sidemen and carry on as a one-man band, a tradition that also includes Joe Hill Louis, Daddy Stovepipe, and Jesse Fuller. Ross music did not depend on novelty effect, yet it had a distinctly recognizable sound, in part because he learned to play his own way and essentially played everything backwards. His guitar was tuned to open G (like John Lee Hooker and other Delta artists), but Ross played it left-handed and upside-down. He also played harmonica in a rack, but it was turned around with the low notes to the right. As an instrumentalist, Ross perfected the interplay between guitar and harmonica. Unlike other Delta artists who tune in G, Ross didnt use slide, preferring a series of banjo-like strummed riffs, a percussive approach reminiscent of Atlanta 12-string guitarist Barbecue Bob. A strong vocalist and excellent songwriter, Ross gained early experience playing Delta jukes and eventually landed radio shows in Clarksdale and Memphis, where he also recorded for Sam Phillipss Sun label.
 
At the peak of Rosss career, he quit Sun, concerned that his royalties were being used to promote Elvis Presleys recordings. Relocating in Michigan, he recorded for his own label and for several Detroit labels, while working for General Motors. Returning to music as a recording artist, he worked the festival circuit. Ross music retained the spirit of his live radio and juke-joint work. The sides he recorded with a band for Sun produced his best material, including classics like Chicago Breakdown and Boogie Disease. As Dr. Ross put it in an interview, Im kind of like the little boy from the West; Im different from the rest. Different, yes, but very good. Ross died May 28, 1993, and was buried in Flint, MI.